![]() ![]() Many Nixon stories were based on reality. ![]() The conundrum was no longer simply whether Tara was pregnant, but whether Phil, home from Vietnam and scarred by the horrors of war, could still love her. But she tried to avoid preachy dialogue, letting action and plot speak for themselves. Because she presented various sides of a controversy, they were more complex. Like their predecessors, the new Nixon soaps were disturbing, fascinating and addictive. Nixon’s early scripts for “The Guiding Light” and “Search for Tomorrow” provided an escape: a glimpse of dashing lives, handsome cads, passions run amok, dark secrets and terrible betrayals.īut in the 1960s and ’70s she virtually reinvented soaps, creating for the ABC network “One Life to Live,” “All My Children” and other shows infused with social relevance and politically charged topics like racism, abortion, obscenity, narcotics, the generation gap and protests against the Vietnam War. To a 1950s audience mostly composed of women who were at home doing housework and raising children, Ms. Nixon fashioned many of television’s most popular daytime shows, drawing on a rich imagination to find the great and small human dramas lurking just below the surface of American life. In a career that paralleled the rise, enormous popularity and gradual decline of soap operas in the last half of the 20th century, Ms. The cause was pneumonia resulting from Parkinson’s disease, her family said. Agnes Nixon, a celebrated creator and writer of television soap operas, who introduced uterine cancer, venereal diseases, child abuse, AIDS and other societal terrors into the weekday fantasy worlds of millions of daytime viewers, died on Wednesday in Rosemont, Pa.
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